Analogue warmth, digital precision.
Specialising in mastering for library, sync & digital.
MASTERWORKS is Milan Adamik with 15+ years mastering experience.
Analogue/digital equipment from:
Prism, Merging, Maselec, Manley, Weiss, Trinnov, Bryston and PMC
Library, sync and digital clients include:
APM, Extreme, Felt, No Sheet Music, Lightsong Media, BMG, Just Isn't Music, Jeff Wayne, Alibi, Gothic Storm, Gargantuan, Sky, BBC, BMW, Porsche, Chelsea F.C.
Commercial artists and labels include:
Slash, Imogen Heap, Azari & III, Gary Newman, Klaxons, Dark Sky, Lydia Lunch, John Holt, Universal, Warners, Beggars, Monkeytown, Roadrunner, Fiction, XL, The Quietus
Additional services such as Mix Optimisation sets MASTERWORKS apart from other traditional mastering services because, as time and technology change, so too do the methods and requirements of creating and submitting music.
EXPLORE OUR SERVICES:
MUSIC MASTERING
Mastering for library or commercial release.
Using state-of-the-art, world-class mastering hardware and software, you'll get the best possible result from your music so it can compete on a level playing field with other professional library and commercial releases.
Get in touch to find out more about rates and availability.
MIX OPTIMISATION
The Final Touches of a Mixdown
If you’re not a professional producer/mix engineer then chances are your mixes could do with some improvement before going forward to the mastering stage. Do not underestimate the difference mix tweaks can have on a track once mastered. ‘Bigger’, ‘brighter’, ‘bassier’, ‘punchier’ ‘more depth and separation’ are just some of the adjectives used to describe the results when combined with a hybrid analogue/digital master.
Every project will have different requirements so get in contact first.
ONLINE MASTERING
How It Works
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Contact – Please phone or email us with your requests, especially if the project is going to vinyl or if you require any additional services. Please include any information you think might be relevant about the track(s) to be mastered along with any gap preferences, ISRCs and/or deadlines. Production libraries please email or phone to discuss library rates.
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Upload – With your file(s) in the correct format* please use our Upload Page here.
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Payment – Like all businesses offering online services, we operate a ‘payment first’ policy. When the project and price have been agreed we will accept payment via bank transfer or all major credit and debit cards via Paypal.
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Delivery – When happy, the final master(s) will be available as a download in WAV/AIFF format or as a DDP for vinyl and CD (with PQ sheet) in red-book format, ready for replication.
* PCM files in WAV or AIFF format only please!
Testimonials:
“Milan has an excellent ear for detail; he has the magical ability to bring out clarity and add scale to my mixes without them feeling at all ‘squashed’. His approach is a most modern one, whereby his mastering gives your music the greatest fidelity possible, streamlined to suit online digital outlets like soundcloud or spotify. “Bigger and clearer… it is possible!”
Liam Howe - Writer/Producer for Adele, Lana Del Rey, Marylin Manson, Foxes, FKA Twigs
"Quality of production and sound is massively important to us at Felt. We take great pride in making beautifully recorded albums and Masterworks have always honoured them with superb mastering. They are also consistently reliable with fast turnaround delivery”.
Steve Spiro - Creative Director of Felt Music, Soho London.
Would highly recommend for high quality no hassle mastering. Always happy to go the extra mile and follow notes. Great turn around time too. We have used masterworks for many of our production music releases.
Jenny Jones - Label Manager / Music Curator, Lightsong Media Group
"I have used Milan's services as a mastering engineer for multiple projects at several of my jobs. He provides a high standard of service and has consistently great work. I highly recommend him for any mastering work."
Morgan Thomas - Project Manager for Slash, Alter Bridge, Aitbourne, Tremonti.
